While on holiday in the Caribbean, a bankrupt family pins their hopes on a rich man, two strangers fall in lust, and a technophile gets shipwrecked.

Roberto Covelli, a Roman lawyer, goes on a Christmas holiday to his chalet in Cortina with his wife Elena and their daughters.

Attilio and Emilia are two newlyweds who love each other madly despite the extreme poverty in which they live. Their relationship is contrasted by that of Domenico and Sofia, the owners of their house, who live in constant conflict. When Christmas arrives, despite their poverty, the two young people decide to give each other gifts: Emilia agrees to cut and sell her long hair to buy a chain for her husband's watch, while Attilio sells his watch to buy a hair clip for his wife.

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A modern version of Charles Dickens work. Gioele is a modern-day Scrooge, who hates Christmas but will end up changing his mind, also thanks to the love of his secretary Bianca.

《我讨厌圣诞节》（And Odio il Natale）中，皮拉尔·福利亚蒂（Pilar Fogliati）领衔主演网飞（Netflix）首部意大利圣诞主题剧集。该剧讲述了一位三十岁还未“安定下来”的女性的焦虑，以及她如何在社会压力之外发现新价值的故事。

Il Carnevale più antico d’Italia, ricordi, filmati, un immaginario potentissimo radicato nei secoli in una città: Fano. Una tradizione, quella della cartapesta, e maestri carristi che, generazione dopo generazione, hanno saputo costruire tra creatività, ingegneria e manualità dei palcoscenici viaggianti chiamati carri. Una maschera, il Vulón, e il suo incontro con un bambino. Lui non sa nulla del Carnevale di Fano. Chi meglio di una maschera per accompagnarlo tra sfilate, costumi e dolciumi e per raccontargli che in fondo il Carnevale non è solo una festa ma qualcosa di più: un sentimento, uno stato d’animo che scalda il cuore di una città e di un territorio. E mentre la settimana del Carnevale si avvia alla fine, qualcuno è già pronto ad un nuovo inizio…

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Santa Claus has 24 hours to transform an evil and egoistic rich businessman into a better and honest person.

Starting from the end of the Second World War and for over forty years, the history of Albania was inextricably entwined with that of a single man. Enver Hoxha guided the country through ephemeral alliances and radical breaks with the status quo, driving him to adopt total isolation. A State Film shows us the forty-year-long Communist regime in Albania through material that the state produced to promote itself. Drawing entirely on often never-before-released archive footage – official propaganda films, footage from the regime’s private or reserved holdings – this film weds images and sound to portray a regime that used cinema as a tool of power. Just what do these same images tell us today?